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PostPosted: Thu May 25, 2006 1:34 pm 
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Brazilian Rosewood
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   My favorite tool as of late is my trusty Gramil. Man, I just love that thing. I free-hand my routing for binding and purfling. I use the Stew-Mac or LMI rabbeting set. Although my laminate router (grand-dady Rockwell 310M) has a small base I still can't get a perfect channel since I register from the top.

   With the Gramil I can get a very uniform channel. It's quick and easy to set up and very versatile.

   I guess the best would be to have a system where I register from the side... Another jig, another expense...

   So here are a few pics. The B&S are the best grade EIR LMI had, and the simple end-graft is flamed koa.






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PostPosted: Thu May 25, 2006 2:05 pm 
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Brazilian Rosewood
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That's a cool lil jig i'd love to have, i think i'm gonna try and build me one!

Yeah, Al, show us more piccys of your awesome baby!

Serge


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PostPosted: Thu May 25, 2006 2:07 pm 
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Brazilian Rosewood
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. Hesh, I don't have any other pics, except for these:







I still really like my Gramil... and yes, those are Cohibas...

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PostPosted: Thu May 25, 2006 2:07 pm 
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Koa
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Location: Kings Mtn., NC, USA
First name: Bill
Last Name: Greene
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Zip/Postal Code: 28086
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Yes, I'd love to see more of the guitar...but I'd really like an inservie on the gramil. Nice tool.

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PostPosted: Thu May 25, 2006 2:18 pm 
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Brazilian Rosewood
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Location: Toronto, Ontario, Canada
First name: Anthony
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Oh is but that gonna be sweet! Alain the figure in that EIR back is to die for.


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PostPosted: Thu May 25, 2006 2:26 pm 
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Brazilian Rosewood
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Yup, another sweet box that will come out of Alain's shop, that Andre guy will just love this guitar! WTG bud!


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PostPosted: Thu May 25, 2006 2:36 pm 
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Brazilian Rosewood
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   Thanks guys!

   Anthony, I too really like the figure. For EIR, it's pretty nice. Lot's of red. Should stand out under finish, I hope (fingers crossed... Murphy, stay out of my shop!)

   Bill, the Gramil I bought from LMI. In the forty-ish dollar range. Hock blade. Very solid and easily adjusted with an Allan key. Registers from the top or the side. Love it. I've heard of some people actually using just this kind of tool and a chisel to excavate binding channels...

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PostPosted: Thu May 25, 2006 3:59 pm 
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Brazilian Rosewood
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Alain, I've been thinking about getting a gramil myself.I Read that about the guy doing all the channels with a gramil and chisel,Can't remember who it was!Nice looking guitar you got going there!

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PostPosted: Thu May 25, 2006 4:16 pm 
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Brazilian Rosewood
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I wonder if any of you guys have built one, a homebrew version anyone?

Serge


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PostPosted: Thu May 25, 2006 7:53 pm 
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Brazilian Rosewood
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I've done a couple of guitars' binding channels with just the gramil and a chisel, it is surprisingly quick and accurate too. I still always use the gramil to define all of my channels before routing them out, this helps enormously with avoiding tearout especially on WRC and is a kind of insurance.

I've got a copy FE19 in the pipeline and will be cutting the binding channels on this one with just the gramil and chisel. We have to earn our honorific of "Luthier".

Colin

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PostPosted: Thu May 25, 2006 8:38 pm 
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Brazilian Rosewood
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Nice look'in! The neck is a little more square than what I would like but it looks good!

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PostPosted: Fri May 26, 2006 12:14 am 
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Brazilian Rosewood
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Location: Tampa Bay
First name: Dave
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[QUOTE=Colin S] I've done a couple of guitars' binding channels with just the gramil and a chisel, it is surprisingly quick and accurate too. I still always use the gramil to define all of my channels before routing them out, this helps enormously with avoiding tearout especially on WRC and is a kind of insurance. [/QUOTE]

Sounds good....On my way to LMI to order one!

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Clearwater,Fl. 33755


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PostPosted: Fri May 26, 2006 2:22 am 
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Koa
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[QUOTE=Serge Poirier] I wonder if any of you guys have built one, a homebrew version anyone?
[/QUOTE]

Irving Sloane's book Classic Guitar Construction has plans for one. Dunno about his book on steel string construction. All you need is a couple of scraps of hardwood, a few nuts and bolts, an old jigsaw blade, and a way to put an edge on the tip of the blade.

I built one based on Sloane's plans. I'm not all that happy with it. It follows the grain more than I like, but then it might just be (probably is) my technique. The LMI one looks like it will work better and is probably well worth the money.

Best,

Michael

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PostPosted: Fri May 26, 2006 3:45 am 
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Brazilian Rosewood
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Thanks Michael!

Serge


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PostPosted: Fri May 26, 2006 5:00 am 
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Gramil... now, there's another one of those words I don't know how to pronounce... GRAM-il (ending as in apple)? GRAHM-il? gra-MEEL? GRAY-mil?

Anyway, I have one. Very nice tool. I like Colin's idea of using it before routing. Might try that next time.

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PostPosted: Fri May 26, 2006 5:04 am 
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BTW, I see that you're still trying to decide between the blue headplate and the macassar(?) one. I think the blue one is really classy. Esp if it glows under a black light.   

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PostPosted: Fri May 26, 2006 5:09 am 
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Brazilian Rosewood
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...Todd, you know it!

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PostPosted: Fri May 26, 2006 5:18 am 
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Alain--another vote for the blue headstock.
That is, if you use the same stuff to bind the guitar!

Kidding aside, that guitar already looks sweet, and should make you proud!

Steve

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PostPosted: Fri May 26, 2006 6:34 am 
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Brazilian Rosewood
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[QUOTE=Todd Rose] gra-MEEL?[/QUOTE]
That one.


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PostPosted: Fri May 26, 2006 6:42 am 
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Brazilian Rosewood
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Gramil users...that teeny-weeny blade is driving me crazy. How do you sharpen it?

BTW...the Sloane purfling cutter was designed for violins, and all its weight is above the channel, with a small brass guide registering against the side, making it difficult to control. The Schneider gramil puts its weight (a piece of aluminum) into the side register, with an adjustable arm holding the blade. Much more stable for guitarmaking.


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PostPosted: Fri May 26, 2006 6:43 am 
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Brazilian Rosewood
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Or is it gram - ill? Anyhow, I did use it before routing the channels. I'm glad that I did. No tear-out at all.

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PostPosted: Fri May 26, 2006 6:49 am 
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Brazilian Rosewood
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Carlton, I'm not sure about sharpening the blade. It would have to be done free-hand, I guess. I know LMI sells repalcement blades at 3.65$ a piece. You can check it out here :

Gramil and blades

   Hope this helps.

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PostPosted: Fri May 26, 2006 6:53 am 
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[QUOTE=Michael McBroom] [QUOTE=Serge Poirier] I wonder if any of you guys have built one, a homebrew version anyone?
[/QUOTE]

Irving Sloane's book Classic Guitar Construction has plans for one. Dunno about his book on steel string construction. All you need is a couple of scraps of hardwood, a few nuts and bolts, an old jigsaw blade, and a way to put an edge on the tip of the blade.

I built one based on Sloane's plans. I'm not all that happy with it. It follows the grain more than I like, but then it might just be (probably is) my technique. The LMI one looks like it will work better and is probably well worth the money.

Best,

Michael[/QUOTE]

The plans are in his steel string guitar book as well. I built one from those plans and used it + a chisel to do the binding rabbet on my first guitars. The results were OK, but like Michael I had problems with it following the grain easily. However, the cut is very clean and accurate if you take your time. Changing the depth of cut (by adding or removing tin shims between the iron and holder) is also slow and cumbersome, so bottom line is it gets old. I'm sure the Gramil is a much better deal.

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PostPosted: Fri May 26, 2006 7:45 am 
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Brazilian Rosewood
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First name: Andy
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Beauty

I also see a peek of what looks like a mahogany guitar...show us that too.

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